ARTIST STATEMENT
My body of work consists of research-based compositions inspired by cultural, social, and ecological issues. These works begin with the singular to resonate with the plural, primarily taking the form of drawings and paintings on paper.
To achieve this, I employ representative elements that start from the particular—symbols, signs, letters, figures, as well as colors and compositions. These elements interact between them and the viewer in choreographed organizations. This creative process seeks associations, confrontations, mistranslations, and errors that highlight what may seem different from the objective while allowing for plural interpretations.
The content of these works can revolve around any theme and is rooted in human intersubjectivity—a desire for understanding and solidarity—which they aim to celebrate. In this sense, more than the initial inspiration for each piece (often only subtly referenced in the final image), what truly matters is what emerges during the creative process: accidents that reference time, space, and change—unreproducible, unrepeatable, and uncontrollable. Yet, because they are anchored in representation, these elements are interpreted as such, becoming metaphors for what is and isn’t intelligible, and merging both for consideration.